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17 min (714\u00a0from Termini\u00a0to Terme di Caracalla)<\/p>\n
Viale delle Terme di Caracalla
\n+39 06 4817003<\/p>\n
Serata Nureyev<\/span><\/h5>\nJune 22nd\u00a0– 21:00
\nJune 24th\u00a0– 21:00
\nJune 26th\u00a0– 21:00
\n<\/strong>
\nofficial website<\/a>
\ntickets online<\/a>[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern” css_animation=””][vc_column][vc_column_text]<\/p>\nThe Teatro dell’Opera summer season at\u00a0Caracalla\u00a0will open with a Serata Nureyev , featuring the Principal Dancers, Soloists and the Teatro dell\u2019Opera di Roma\u2019s own Corps de Ballet. Special guest: the international \u00e9toile Friedemann Vogel, Principal Dancer of the Stuttgart Ballet, accompanied by the Theatre\u2019s principal dancers Alessandra Amato and Rebecca Bianchi.
\nAn evening dedicated to the choreography of Rudolf Nureyev (1938-1993), who is also remembered for giving a new twist to some of the greatest classical masterpieces, as well as being a famous ballet dancer, whose virtuosity and extraordinary interpretation has ensured his place in the history of world ballet. Fascinated by the works of the French choreographer Marius Petipa (1818-1910), over the course of his career Nureyev restaged all his ballets.
\nThe evening\u2019s program will consist of three extracts from famous ballets: La Bayad\u00e8re, Swan Lake and Raymonda. More precisely, Act III of La Bayad\u00e8re; \u201cLa Polonaise\u201d (Act I) and the \u201cpas de trois\u201d of the Black Swan (Act III) from Swan Lake, both revived by Patricia Ruanne, dance master of the Nureyev Repertory. The evening\u2019s entertainment will end with Act III of Raymonda, by Patricia Ruanne and Fr\u00e9d\u00e9ric Jahn. While the last of these extracts has already been included in the \u201cGreat Choreographers\u201d programme at the Teatro Costanzi (26 February to 2 March 2016), the other two will represent a first for the Teatro dell\u2019Opera\u2019s corps de ballet, having never been presented by them before.<\/p>\n
[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern” css_animation=”” css=”.vc_custom_1460915283368{padding-top: 50px !important;}”][vc_column][vc_column_text]<\/p>\n
RAYMONDA ACT III<\/p>\n
Music by Aleksandr Glazunov<\/p>\n
Choreography Rudolf Nureyev
\nrevived by Patricia Ruanne, Fr\u00e9d\u00e9ric Jahn<\/p>\n
IL LAGO DEI CIGNI
\nLa Polonaise, act I
\nPas de Trois del cigno nero, act III<\/p>\n
Music by P\u00ebtr Il\u2019i\u010d \u010cajkovskij<\/p>\n
Choreography Rudolf Nureyev
\nrevived by Patricia Ruanne<\/p>\n
LA BAYAD\u00c8RE ACT III<\/p>\n
Music by Ludwig Minkus<\/p>\n
Choreography Rudolf Nureyev
\nrevived by Patricia Ruanne<\/p>\n
Friedeman Vogel, Principal Guest Dancer
\nSoloists and Corps de Ballet of the Teatro dell\u2019Opera di Roma<\/p>\n
Music on recorded basis are played by Orchestra del Teatro dell\u2019Opera di Roma[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern” css_animation=”” css=”.vc_custom_1460915585034{padding-top: 50px !important;}”][vc_column][vc_single_image image=”16642″ img_size=”full” alignment=”center” qode_css_animation=””][\/vc_column][\/vc_row]<\/p>","protected":false},"excerpt":{"rendered":"
Devoted to three ballets choreographed by this famous Russian artist.<\/p>\n","protected":false},"author":3,"featured_media":16642,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[143,100,144,8,102],"tags":[213,135,27,112,114,180],"_links":{"self":[{"href":"https:\/\/hotelcolumbia.com\/en\/wp-json\/wp\/v2\/posts\/17863"}],"collection":[{"href":"https:\/\/hotelcolumbia.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/hotelcolumbia.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/hotelcolumbia.com\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/hotelcolumbia.com\/en\/wp-json\/wp\/v2\/comments?post=17863"}],"version-history":[{"count":18,"href":"https:\/\/hotelcolumbia.com\/en\/wp-json\/wp\/v2\/posts\/17863\/revisions"}],"predecessor-version":[{"id":19388,"href":"https:\/\/hotelcolumbia.com\/en\/wp-json\/wp\/v2\/posts\/17863\/revisions\/19388"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/hotelcolumbia.com\/en\/wp-json\/wp\/v2\/media\/16642"}],"wp:attachment":[{"href":"https:\/\/hotelcolumbia.com\/en\/wp-json\/wp\/v2\/media?parent=17863"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/hotelcolumbia.com\/en\/wp-json\/wp\/v2\/categories?post=17863"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/hotelcolumbia.com\/en\/wp-json\/wp\/v2\/tags?post=17863"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\nJune 24th\u00a0– 21:00
\nJune 26th\u00a0– 21:00
\n<\/strong>
\nofficial website<\/a>
\ntickets online<\/a>[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern” css_animation=””][vc_column][vc_column_text]<\/p>\n
The Teatro dell’Opera summer season at\u00a0Caracalla\u00a0will open with a Serata Nureyev , featuring the Principal Dancers, Soloists and the Teatro dell\u2019Opera di Roma\u2019s own Corps de Ballet. Special guest: the international \u00e9toile Friedemann Vogel, Principal Dancer of the Stuttgart Ballet, accompanied by the Theatre\u2019s principal dancers Alessandra Amato and Rebecca Bianchi.
\nAn evening dedicated to the choreography of Rudolf Nureyev (1938-1993), who is also remembered for giving a new twist to some of the greatest classical masterpieces, as well as being a famous ballet dancer, whose virtuosity and extraordinary interpretation has ensured his place in the history of world ballet. Fascinated by the works of the French choreographer Marius Petipa (1818-1910), over the course of his career Nureyev restaged all his ballets.
\nThe evening\u2019s program will consist of three extracts from famous ballets: La Bayad\u00e8re, Swan Lake and Raymonda. More precisely, Act III of La Bayad\u00e8re; \u201cLa Polonaise\u201d (Act I) and the \u201cpas de trois\u201d of the Black Swan (Act III) from Swan Lake, both revived by Patricia Ruanne, dance master of the Nureyev Repertory. The evening\u2019s entertainment will end with Act III of Raymonda, by Patricia Ruanne and Fr\u00e9d\u00e9ric Jahn. While the last of these extracts has already been included in the \u201cGreat Choreographers\u201d programme at the Teatro Costanzi (26 February to 2 March 2016), the other two will represent a first for the Teatro dell\u2019Opera\u2019s corps de ballet, having never been presented by them before.<\/p>\n
[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern” css_animation=”” css=”.vc_custom_1460915283368{padding-top: 50px !important;}”][vc_column][vc_column_text]<\/p>\n
RAYMONDA ACT III<\/p>\n
Music by Aleksandr Glazunov<\/p>\n
Choreography Rudolf Nureyev
\nrevived by Patricia Ruanne, Fr\u00e9d\u00e9ric Jahn<\/p>\n
IL LAGO DEI CIGNI
\nLa Polonaise, act I
\nPas de Trois del cigno nero, act III<\/p>\n
Music by P\u00ebtr Il\u2019i\u010d \u010cajkovskij<\/p>\n
Choreography Rudolf Nureyev
\nrevived by Patricia Ruanne<\/p>\n
LA BAYAD\u00c8RE ACT III<\/p>\n
Music by Ludwig Minkus<\/p>\n
Choreography Rudolf Nureyev
\nrevived by Patricia Ruanne<\/p>\n
Friedeman Vogel, Principal Guest Dancer
\nSoloists and Corps de Ballet of the Teatro dell\u2019Opera di Roma<\/p>\n
Music on recorded basis are played by Orchestra del Teatro dell\u2019Opera di Roma[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern” css_animation=”” css=”.vc_custom_1460915585034{padding-top: 50px !important;}”][vc_column][vc_single_image image=”16642″ img_size=”full” alignment=”center” qode_css_animation=””][\/vc_column][\/vc_row]<\/p>","protected":false},"excerpt":{"rendered":"
Devoted to three ballets choreographed by this famous Russian artist.<\/p>\n","protected":false},"author":3,"featured_media":16642,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[143,100,144,8,102],"tags":[213,135,27,112,114,180],"_links":{"self":[{"href":"https:\/\/hotelcolumbia.com\/en\/wp-json\/wp\/v2\/posts\/17863"}],"collection":[{"href":"https:\/\/hotelcolumbia.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/hotelcolumbia.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/hotelcolumbia.com\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/hotelcolumbia.com\/en\/wp-json\/wp\/v2\/comments?post=17863"}],"version-history":[{"count":18,"href":"https:\/\/hotelcolumbia.com\/en\/wp-json\/wp\/v2\/posts\/17863\/revisions"}],"predecessor-version":[{"id":19388,"href":"https:\/\/hotelcolumbia.com\/en\/wp-json\/wp\/v2\/posts\/17863\/revisions\/19388"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/hotelcolumbia.com\/en\/wp-json\/wp\/v2\/media\/16642"}],"wp:attachment":[{"href":"https:\/\/hotelcolumbia.com\/en\/wp-json\/wp\/v2\/media?parent=17863"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/hotelcolumbia.com\/en\/wp-json\/wp\/v2\/categories?post=17863"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/hotelcolumbia.com\/en\/wp-json\/wp\/v2\/tags?post=17863"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}